No Scope

As crushed, musicians Bre Morell and Shaun Durkan make maximalist dream pop music for themselves. Recording out of various homes, not fixed to any single location (Morell from Texas, now based in Los Angeles, and Durkan in Portland, Oregon), they write the songs they want to hear, tuning from shared taste (for trip-hop, Britpop, electronica, and the canon of ‘90s alt radio), a desire for emotionality, and an instinct for when it sounds right and honest; when it means something real to them. Their full-length debut embodies their trust in one another and in their craft. A “no scope” kill in the video game lexicon is achieved by shooting a sniper rifle at close range without scoping in on your target, an apt metaphor for two artists following their pop impulses, shooting from the hip with precision. “It might also mean like having no future,” jokes Morell, “getting no-scoped by life.” The reality of failure looms in most creative pursuits, perhaps more pronounced the further into