CD Split Series 1-8, Plotkin, Merzbow, Third Eye Foundation
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|---|---|---|---|---|---|---|
| AL Allegro | 38,00 PLN | 19,00 PLN | 57,00 PLN | Available | 6 months ago | View offer |
Prices and availability may change. Last Updated: 22.07.2026 14:10.
Product reviews
Various - Split Series 1-8
wytwórnia: Fat Cat, 2001
nośnik: CD, format: CD, ilość nośników: 1
opakowanie: kartonowa obwoluta
nr kat.: FATCD08
czas: 66:53
elektronika, jazz/yass/impro, postrock, rock
https://youtube.com/playlist?list=OLAK5uy_lJRvYykOvt0ezx6wq5xipMrW3KddYGaQQ&si=y9q_Jm7ckt21WDuE
1. Foreground Blink - Janek Schaefer
2. Pigeon Man - Team Doyobi
3. Female Pig Herder - V/VM
4. Shrouded - Foehn
5. Viral - Ad Vanz v Gescom
6. Forensics For Guitar Part 2 - James Plotkin
7. Phonn - Chasm
8. Dharmas - Req
9. There's No End In Sight - Third Eye Foundation
10. To Abandon, Eliminate & Destroy A Spontaneous Trait Transference In The Key of C Minor - Speedranch Jansky Noise
11. Ab Hunter - Merzbow
Info dystrybutora:
Pierwsza z trzech kompilacji singli wydanych wcześniej tylko na winylach.
Dokumentacja początków wytwórni, w której brały udział takie tuzy nowej muzyki jak Autechre, Third Eye Foundation, James Plotkin (Kranky) czy guru noise'owej awangardy Merzbow. Nakład dostępny do wyczerpania (dodruku już nie będzie)
Fat Cat info:
Split Series 1-8 is the first of three CD sets that FatCat will release to compile cuts from their acclaimed vinyl-only series of split singles - an ongoing project designed to showcase developments in the converging electronic paths of improv, techno, hip-hop and post-rock. This selection, edited by Obsessive Eye's Dave Howell, includes ear-slicing distorted constructions from James Plotkin and Janek Schaefer, digital scuttling insect swarms courtesy of Team Doyobi and superb excursions into leftfield break-beat oddness from Ad Vanz and Gescom. Elsewhere Skint Record's Req supplies a slumbering mass of sequenced fog, pulses and glitches, while Third Eye Foundations propulsive "There's No End In Sight" offers a foot-tapping highpoint. Also present is Merzbow's fifteen-minute "Ab Hunter", which failed to make it on to the vinyl releases as no shellac was found which could handle its wildly swinging top-end and nauseous swollen bass. Though sporadically extreme and unlistenable, Split Series 1-8 is an essential post-rock document. "The Rough Guide Rock"