Lp Sinne Eeg, Thomas Fonnesbek Staying In Touch

Sinne Eeg, Thomas Fonnesbek - Staying In Touch

wytwórnia: Stunt, 2021

nośnik: winyl, format: 12"LP, ilość nośników: 1

  ,  singlefold

download code: brak danych

nr kat.: STULP21071, 0663993210711

czas: 49:42

jazz/yass/impro

https://youtube.com/playlist?list=OLAK5uy_lyzP9xJjFuspeGxiOc250Q7IjZhD2OhJ4

Sinne Eeg - vocals

Thomas Fonnesbak - bass

Karsten Bagge - drums

Plus strings:

Andra Gyarfas Brahe, Karen Johanne Pedersen - violin

Deanna- viola

Live Johansson - cello

1. Spring Waltz 3:27

2. Too Close For Comfort 4:14

3. Orphans [Feat. LiveStrings] 5:55

4. Take Five 3:47

5. The Streets Of Berlin [Feat. LiveStrings] 4:50

6. The Long And Winding Road 4:14

7. How Deep Is The Ocean? 4:54

8. Just One Of Those Things 1:39

9. Round Midnight 7:45

10. Those Who Were [Feat. LiveStrings] 6:15

11. The Dry Cleaner From Des Moines 2:43

Editor's info:

Ms. Eeg is the kind of vocalist who makes every note to die for. However, she seems never to work too hard, or so much as strain to get the sound of the note to ring in her voice. She has perfect pitch, sings with effortless grace, a four-dimensional perspective – the fourth being the quintessence. So beautiful and ghostly are her vocalastics that she seems to raise them from the ether. She favours more luxuriant textures, which result in a top-heavy balance that acts as a counterpoint for her bass-playing partner here. Her lucidity and maturity makes her more immediately approachable and memorable and speaking of memories, Sinne Eeg recalls all that was classy and unforgettable of Betty Carter.

Ms. Eeg is the kind of vocalist who makes every note to die for. However, she seems never to work too hard, or so much as strain to get the sound of the note to ring in her voice. She has perfect pitch, sings with effortless grace, a four-dimensional perspective – the fourth being the quintessence. So beautiful and ghostly are her vocalastics that she seems to raise them from the ether. She favours more luxuriant textures, which result in a top-heavy balance that acts as a counterpoint for her bass-playing partner here. Her lucidity and maturity makes her more immediately approachable and memorable and speaking of memories, Sinne Eeg recalls all that was classy and unforgettable of Betty Carter.

With the bass adding to the vibrant background, Sinne Eeg makes the songs flow naturally with their fluid rhythms and their instinctive, indeed inspired contours that follow and enhance the sentiments of the verse. Ms. Eeg’s luscious, flexible voice with its range of registers is exploited to fruitful effect and seems to be an ideal vehicle for this repertoire. Her clear enunciation and relishing of the sounds of the words match her lyricism and her agility in the tricky rhythmic deceits.