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When the physical world is stifling, the internet beckons. It’s a sinister trap, one Sarah Morrison knows all too well. On “This Sorry Day,” the second track off the Tallahassee singer-songwriter’s subdued debut album, Attachment Figure, she soundtracks a draining day online with—what else?—smooth jazz. “While you were out I caved to my kitty instinct/Turned my computer on,” she sings with tired resignation over a dampened piano. Soon, her boredom shifts to the kinds of manic thoughts that follow spending hours viewing people through a screen: “Makes me want to laugh at me/Makes me want to look at me/Makes me want to touch me,” she chants, her whispered soprano turned dark and dissonant. But then, without warning, a velvet cyclone of a sax solo lifts the song aloft and carries it through its raging climax.